![]() Incidentally, this is also a good way to attach different dynamic marks, etc, to different repeats of the music in a \repeat unfold. ![]() This works because the ~ is "merged" with the notes after the \repeat unfold has been expanded. It actually surprises me that musical redirections like coda and segno aren't environments like the \repeat volta n.the process of going through identifying a problem case and. Im havent problems with ties, slurs, and voices again, but the previous answers dont seem to help. c2( c8 fis fis4 fis2 g2) More information Ties see Ties. For example i) ties terminating on an upper staff lilne ii) ties terminating on an inner staff line iii) ties terminating above in the middle of a note for notes on an upper ledger line These all have individual shape fixes that will work well enough for a large number of cases. Slurs indicate the articulations of notes, and can be used on larger groups of notes. A tie simply makes the first note longer, and can only be used on pairs of notes with the same pitch. As demonstrated in the MWE below, it is possible to have a tied note that goes into a coda (or repeat or some other form of musical jumping) but in LilyPond the ~ form of the tie can't be added to the first note in the coda because it is separated from it's initiating note by line breaks and additional notes A slur looks like a tie, but it has a different meaning.Slurs indicate the articulation of notes, and can be used on larger groups of notes. I keep coming across situations where a tie or a slur aren't matched. A slur looks like a tie, but it has a different meaning. If I have to use the top voice, the tie curves up, even when the notes are right at the bottom of the stave and there is also a slur below. Ties insist on selecting their vertical curvature according to the voice. In LilyPond, ties and slurs are expected to come in matched pairs. Ive tried beautiful and de-uglify, but the parameters Ive entered have no effect at all.
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